“But this is my special hobby, and the differences are equally obvious. There is as much difference to my eyes between the leaded bourgeois type of a Times article and the slovenly print of an evening half-penny paper as there could be between your negro and your Esquimau. The detection of types is one of the most elementary branches of knowledge to the special expert in crime, though I confess that once when I was very young I confused the Leeds Mercury with the Western Morning News. But a Times leader is entirely distinctive, and these words could have been taken from nothing else. As it was done yesterday the strong probability was that we should find the words in yesterday’s issue.”

“So far as I can follow you, then, Mr. Holmes,” said Sir Henry Baskerville, “someone cut out this message with a scissors—”

“Nail-scissors,” said Holmes. “You can see that it was a very short-bladed scissors, since the cutter had to take two snips over ‘keep away.’”

“That is so. Someone, then, cut out the message with a pair of short-bladed scissors, pasted it with paste—”

“Gum,” said Holmes.

“With gum on to the paper. But I want to know why the word word ‘moor’ should have been written?”

“Because he could not find it in print. The other words were all simple and might be found in any issue, but ‘moor’ would be less common.”

“Why, of course, that would explain it. Have you read anything else in this message, Mr. Holmes?”

“There are one or two indications, and yet the utmost pains have been taken to remove all clues. The address, you observe is printed in rough characters. But the Times is a paper which is seldom found in any hands but those of the highly educated. We may take it, therefore, that the letter was composed by an educated man who wished to pose as an uneducated one, and his effort to conceal his own writing suggests that that writing might be known, or come to be known, by you. Again, you will observe that the words are not gummed on in an accurate line, but that some are much higher than others. ‘Life,’ for example is quite out of its proper place. That may point to carelessness or it may point to agitation and hurry upon the part of the cutter. On the whole I incline to the latter view, since the matter was evidently important, and it is unlikely that the composer of such a letter would be careless. If he were in a hurry it opens up the interesting question why he should be in a hurry, since any letter posted up to early morning would reach Sir Henry before he would leave his hotel. Did the composer fear an interruption—and from whom?”

“We are coming now rather into the region of guesswork,” said Dr. Mortimer.

“Say, rather, into the region where we balance probabilities and choose the most likely. It is the scientific use of the imagination, but we have always some material basis on which to start our speculation. Now, you would call it a guess, no doubt, but I am almost certain that this address has been written in a hotel.”

"Hold your tongue! You are stupid," replied the cardinal.

"That's exactly what my wife said, monseigneur."

"Do you know who carried off your wife?"

"No, monseigneur."

"You have suspicions, nevertheless?"

"Yes, monseigneur; but these suspicions appeared to be disagreeable to Monsieur the Commissary, and I no longer have them."

"Your wife has escaped. Did you know that?"

"No, monseigneur. I learned it since I have been in prison, and that from the conversation of Monsieur the Commissary--an amiable man."

The cardinal repressed another smile.

"Then you are ignorant of what has become of your wife since her flight."

"Absolutely, monseigneur; but she has most likely returned to the Louvre."

"At one o'clock this morning she had not returned."

"My God! What can have become of her, then?"

"We shall know, be assured. Nothing is concealed from the cardinal; the cardinal knows everything."

"In that case, monseigneur, do you believe the cardinal will be so kind as to tell me what has become of my wife?"

"Perhaps he may; but you must, in the first place, reveal to the cardinal all you know of your wife's relations with Madame de Chevreuse."

"But, monseigneur, I know nothing about them; I have never seen her."

"When you went to fetch your wife from the Louvre, did you always return directly home?"

"Scarcely ever; she had business to transact with linen drapers, to whose houses I conducted her."

"And how many were there of these linen drapers?"

"Two, monseigneur."

"And where did they live?"

"One in Rue de Vaugirard, the other Rue de la Harpe."

"Did you go into these houses with her?"

"Never, monseigneur; I waited at the door."

"And what excuse did she give you for entering all alone?"

"She gave me none; she told me to wait, and I waited."

"You are a very complacent husband, my dear Monsieur Bonacieux," said the cardinal.

"He calls me his dear Monsieur," said the mercer to himself. "PESTE! Matters are going all right."

"Should you know those doors again?"

"Yes."

"Do you know the numbers?"

"Yes."

"What are they?"

"No. 25 in the Rue de Vaugirard; 75 in the Rue de la Harpe."

"That's well," said the cardinal.

At these words he took up a silver bell, and rang it; the officer entered.

"Go," said he, in a subdued voice, "and find Rochefort. Tell him to come to me immediately, if he has returned."

"The count is here," said the officer, "and requests to speak with your Eminence instantly."

"Let him come in, then!" said the cardinal, quickly.

The officer sprang out of the apartment with that alacrity which all the servants of the cardinal displayed in obeying him.

"To your Eminence!" murmured Bonacieux, rolling his eyes round in astonishment.

Five seconds has scarcely elapsed after the disappearance of the officer, when the door opened, and a new personage entered.

"It is he!" cried Bonacieux.

"He! What he?" asked the cardinal.

"The man who abducted my wife."

The cardinal rang a second time. The officer reappeared.